My work  seeks to explore how space—whether physical or emotional—is made sacred through repeated events. The use of methodical processes and repetitive forms reference the quotidian routines that make up daily life; the succession of daily rituals that eventually stack up like repeated miracles and create meaning. I try to incorporate the truer parts of daily life: the messes, disasters and ultimately the forming of beauty through accumulated layers—be they predictable and clean, or raw and variable. Methodical processes also underscore the connection my work has to traditional women’s work—like quilting—as well as daily family rituals, ceremony and pursuing genealogical research.

I have come to understand my life and personal history as an outgrowth of my families'. My work explores the idea that I am but one on a string of genetically linked individuals. This notion has profound implications; that events give birth to events, changes to changes, and actions to actions; that I am but part of a grand causality.



Interviews and publications:

Segullah, 2014

Inscape Magazine, 2010